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Monday, September 29, 2014

Nonpoint - The Return

In the interest of full disclosure I have to say that Nonpoint is one of my favorite bands.  I was first turned on to them with the release of their major label debut Statement in 2000.  They were basically riding the nu-metal wave and fit the typical rap-rock hybrid at the time.  But something was different about them.  They had Spanish influences ("Orgullo" was sung completely in Spanish).  They had dynamic songs.  They had good lyrics that brought you on a journey (see "Mindtrip" or "What a Day").  They were simply better than most in the nu-metal scene.  Over the years they have evolved, but they've still stayed hard rock and heavy metal at the core.  Their latest release is curiously titled, being that they have never really gone away.  Within the past couple of years some members have changed, but the heart of the band: drummer Robb and singer Elias has remained.  They also never stopped touring or releasing records.  I own all nine of their albums and have seen them in concert seven times.  The most recent was a few months ago when they opened for Megadeth.  They definitely made some new fans that night, but I can't believe that people are still just discovering this band.  As a scientist, I think I can remain objective while I discuss The Return.

The album opens with "Pins and Needles."  It establishes the sound of the new lineup which isn't that much of a departure from the previously self titled album.  This song has a simple chorus, yelling verses, good rhythmic guitars, and some soloing.  Following this is "Breaking Skin" which will be the first single.  This song kicks it up a notch in terms of energy with driving rhythms and full on angst in Elias' vocals.  Then things slow down a bit and I was a little disappointed by this.  The next few songs are kind of generic sounding and didn't really move me.


The energy and tempo pick up again with "Take Apart This World"  It is certainly one of the hardest hitting on the album, but still nothing like "Bullet With a Name,"  or even "Rabia."
I certainly hear BC Kochmit’s influence on the guitars in "Forcing Hands" as it sounds like some of the riffs could have been found in one of his previous bands Switched, Dark New Day, or Eye Empire (all worth a listen).  BC is a cool guy too.  I actually met him back in 2002 when Switched was opening for Nonpoint.
**Correction: BC Kochmit did not write or play on this album. He is currently touring with the band and writing new material. (cited BC's Facebook Sept 30)
Chris, Brad (BC) Kochmit, and me after a gig @ Birch Hill 6/14/02

Chris, Switched singer Ben Schigel, and me after a gig @ Birch Hill 6/14/02
Chris, Elias, and me after a gig @ Birch Hill 6/14/02

Other highlights include "Never Ending Hole," the most retro-Nonpoint-sounding in many ways, but with backing vocals and a shredding guitar solo that is bringing something new.  My favorite song right now is "Never Cared Before." I thought Robb was gonna pound through his drum heads as he demonstrates his Animal persona on this one for sure!  It is fast and hard hitting and includes a heavy breakdown.  

This album is definitely taking the band in a new direction.  I think Nonpoint is just getting started with this new lineup and it is going to take some time to develop.  The songs just seem to lack the focus and intensity of the past.  I think the writing has been simplified and stripped down.  They are playing around with some different guitar sounds and layering techniques, but I still think that Elias’ voice is carrying a lot of the load.  Still, there are some rockers here that will be nice additions to the live set and that keep me optimistic about this band's future.  I'm hoping to catch them the next time they play Starland Ballroom in November.  Look for me in the pit!
Robb and me at Wellmont 11/29/13

Latest Nonpoint lineup at Wellmont - 11/29/13 
 

Sunday, September 14, 2014

Godsmack - 1000HP review

Godsmack - 1000HP review

Godsmack has always been a solid hard rock band and, while they don't reinvent the wheel with 1000HP, I think this keeps them relevant and is a nice addition to this year's collection.  I was excited about their new album coming out and the fact that I should finally get to see them on stage this year at UPROAR on Aug 26th.  I decided to give a song by song commentary and rate each one. 

1. 1000 HP - The album opens with the title track.  The verses talk about the rise of Godsmack from Boston circa 1995.  The chorus is super huge and anthemic.  I can't help sing along "Turn that shit up louder!  Make it all go faster.  Play it through the witching hour.  Take it to one thousand horse power!"  There is also a pretty nice guitar solo about 3/4 of the way through.  This is just a really great hard rock song and one that I could play over and over again. (8/10)

2. FML - The second track has some dirtier riffs and is one of those songs that is just about releasing pent up frustrations.  It is a decent song, but I think lyrically it lacks a real identity.  Sully sings "Don't try to change me" and then "Fuck My Life" and I get a little confused.  Are we hating the haters or are we self loathing?  Pick your pity party and stick with it. (6.5/10)

3. Something Different - This song has more of a driving rhythm.  I like the lyrics "Don't feel you ever have to speak to me that way."  They could be applied in so many different situations that it lets the listener make their own meaning of this song. (7/10)

4. What's Next - This sounds like classic Godsmack to me.  It's a song with fast rhythms, haunting echo on the background vocals, a big sing-along chorus, questions about the meaning of life and the looming certainty of death.  Pretty kick ass. (8/10)

5. Generation Day - Here we start off rocking pretty hard, but then go into a lengthy slowed-down breakdown that is almost like a dream sequence.  The hard riff and chorus then pick back up for a strong finish.  Yelling "generation dayyyyyyy" is enough to get stuck in your head and make you want to go back to this song. (7/10)

6. Locked & Loaded - With choppy riffs and a heavier sound than some of the other songs, this one really pumps.  To break up the song structure there is a breakdown with even faster chords and chanting lyrics two thirds of the way through and then some nice guitar work at the end.  As the song fades out Sully says "How'd you like that one Frank?....hahaha, fuck him!" which is obviously directed toward Nikki Sixx who has been in a war of words with the band since they had a falling out after touring together in 2009.  The song "Cryin' Like a Bitch" was also supposedly written about Sixx.

7. Living in the Gray - This track is definitely solid, but it kind of gets lost in the course of the rest of the album and comes off like a filler.  On its own, I could hear this on the radio and like it.  It's just not the kind of track I would skip to on a cd or put on a playlist. (6/10)

8. I Don't Belong - This song picks up where the previous was lacking.  We have another good balance of riffs and solos.  We have lyrics that a lot of people can relate to.  I could see this becoming a single, but I don't think it is quite as strong as What's Next.  (7/10)

9. Nothing Comes Easy - The lyrical themes are similar to the previous song, but the guitar work and drum rolls found here gives the track an older, more classic sound.  It kind of seems like a mash up of 80s and 90s hard rock in a good way. (7/10)

10. Turning to Stone - This is the slowest song on the disc and kind of haunting.  It is nothing special musically, but an acoustic version is going to be on the The Walking Dead Season 4 Soundtrack: Songs Of Survival Vol 2 and should fit well. (6/10)

My view of Godsmack from Uproar 2014 Camden, NJ

Ted Nugent @ Wellmont Jul 22, 2014


Ted Nugent @ Wellmont Jul 22, 2014

The following is a recap of one of my favorite concert experiences.  If you weren't there, you missed out - plain and simple.  If you thought Ted Nugent was a washed-up has-been, you are sorely mistaken.

First of all, kudos to "the Nuge" for keeping ticket prices low.  I got fourth row balcony seats for $20.  General admission floor tickets I believe were only about $65.  A big FUCK YOU to the township of Montclair, or whoever they commissioned for parking services, as they were trying to charge patrons $20 to park in what are normally municipal lots.  When I first started going to shows at the Wellmont, parking was free.  When I saw Megadeth there a few months ago, parking was $10 which I was a little annoyed about, but it was still reasonable.  Especially because it was winter and I didn't want to walk.  To charge $20 when that is the cost to attend the concert is absurd.  My buddy and I parked a few blocks away for free.  I intend to walk to the venue whenever possible from now on.

Secondly, I was amused by the 50 or so picketers outside the venue.  I didn't get a good look at all of the signs or hear the chants, but the few signs I did see said "Love Not Hate" or something to that effect.  True, Ted is an outspoken republican who supports the NRA and hunting, but I have never heard him preach hate or do anything harmful to animals besides kill them and eat them.  It seemed kind of stupid to picket to me.  Ted addressed this by saying that if you still have haters after all the years he has been around, he's doing something right.  He also said he would play them "the greatest love song of all time" and then busted into a blistering rendition of "Wang Dang Sweet Poontang!"  In my opinion this was the second most memorable song of the night.

Let me go back to the beginning.  So, the doors opened at 7PM and by the time we found free parking and walked into the theater it was almost 7:30.  I asked the usher if there were opening acts and he told me there would be two of them.  It turned out there was only one and they didn't start until 8.  No doubt a ploy to sell more $8 beers.  Fortunately, the openers played for about 45 minutes and they rocked.  The band was Pistol Day Parade who are also from Detroit.  I had never heard of them before this night, but they picked up a few new fans for sure.  They are straight up rock and roll in the vain of Pop Evil, Sick Puppies, or Shinedown.  There are two guitarists, which gives the band a nice full sound.  The singer has a gritty rasp to his voice which I like, but he can also smooth it out when he wants too.  Except for the drummer, the other guys in the band sing back-up and they are quite talented as well.  The musicianship and the sound were pretty tight.  I was impressed, especially for an unknown band.  Highlights were songs like "New Life, Not Today, and Even When High."  Their next to last song was a cover of "In the Air Tonight."  At first I was thinking this was a bad idea because its been done before and it is a hard song to make sound fresh.  They definitely pulled it off though.  They did the classic version justice and managed to make the sound heavier at the same time.  They finished up with their current single "Rockstar's Girlfriend."  This song is definitely their most commercial, complete with a very simple chorus and "na na nas".  Even though it's a little too poppy for my taste, it was hard not to sing along.

After their set I wanted to go pick up a cd and try to meet the band.  The drummer was the first band member at the merchandise booth and it turns out his name is Jason and so is the bassist!  All of the guys were very cool and willing to chat.  We learned that they got picked by Ted to be the support band without having ever met him before.  I thought it was cool that he picked them from a list and was loyal to his hometown of Detroit.  I was a little bummed that the band didn't know Nonpoint nor their cover of "In the Air Tonight."  Hopefully, they will remember to check it out and I will have taught them a thing or two about a good band!  The other bummer was when I bought my cd the merch guy said it's normally $10, but they were told to "price match" so it was selling for $20.  WTF is this crap!?  I don't know for sure, but I'm betting this was the venue that set this rule rather than Nugent's camp.  This is wrong on so many levels.  The bands should be able to set the price for their own stuff.  It is their property and they are the ones that should be able to judge what is a reasonable price for both the fans and themselves.  I hope the band gets the extra profit, but I'm sure the venue is taking a cut.  Bastards!  Anyway, I got the cd signed by all of the guys, so that made it worth it for me.  Maybe the next time the band has to raise prices they could at least throw in a couple of free stickers or something.

At 9:30 Ted Nugent and his band came out.  They played for over an hour and sounded amazing.  Ted kept boasting that his band is the tightest in the game and he may be right.   Derek St. Holmes (61) plays guitar and is lead singer on some of the songs.  He is an amazing guitarist and even a better singer.  Ted is almost 66 and he still rocks as hard as when he was in his heyday in the 70s.  His new single "Shut Up and Jam" worked into the set well with classics such as "Hey Baby, Turn It Up, and Cat Scratch Fever."  At one point, Ted paid homage to the originators of rock by giving shout-outs to Bo Diddly, Chuck Berry, and multiple mentions of the recently deceased, Johnny Winter.  This shows the class act that Ted is.  I also liked that his only backdrop was the American flag.  He played about six guitars throughout the set.  Each one sounded like it was made for him.  The finale in the set was the best song of the night, "Stranglehold."  After that the band went offstage for a minute before returning for an encore of "Great White Buffalo."  My ears were still ringing the next day, but it was definitely worth seeing these two awesome rock acts throw down.